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Affiliate pokerstars slot games to win money and Roulette bonus no deposit casino bonus codes march 2018 Bowl Show

Play demo casino games online slot machine model 91 "Seat at the Table" album made for a set that was both dreamy and woke.

Cashable casino bonus slot machine cheat engine borderlands 2 Bowl Sunday night before Solange took the stage to close out a KCRW-sponsored “Cosmic Journey” concert, the house lights remained off, maybe to make the venue feel more like an intimate club than an enormous amphitheater. Stevie Wonder’s weirdo one-off soundtrack for “The Secret Life of Plants” played at length over the Casino dealer halloween costume casino slots with bonus music really could evoke the cosmos as well as the street.

And then arrived Solange, and suddenly Stevie’s vintage combination of ethereality and grit didn’t seem so impossibly distant after all. The album she’s still touring behind, “A Seat at the Table” (released a year ago this week), didn’t just completely reinvent the younger Knowles sister; it also set a fantastic course for just how many bases R&Casino win real money casino caribe online casino spelen online gratis sound is loose and ambient enough for the late-night Bonus codes slots lv online casino gambling sites in accompanying that with Stevie’s photosynthesis than photorealism. It’s a neo-soul think-piece that’s largely about race — half-sleepy, in its musical dreaminess, yet altogether woke.

Solange at the Hollywood Bowl

Given that race was very much on America’s mind over the weekend, it seemed like a distinct possibility that someone with views as strong as Solange’s might address current events from the stage. She didn’t, although the more pointed songs from “A Seat at the Table” did the talking, with Solange emerging into the crowd to address the black pride anthem “F.U.B.U.” (standing for “for us, by us”) to a pocket of African American fans in the radically diverse audience; later, she wrapped up the show with the self-explanatory “Don’t Touch My Hair,” a song that manages to be warning and celebration all at once.

Slotnuts no deposit bonus codes 2018 ameristar casino kansas city ks on during Sunday’s show, it had to do with the mesmerizing stage design and lighting. Solange’s set started off bathed in a warm, subdued orange, shifting later to red, blue, and back again, never getting as bright as any typical concert’s would. She never moved onto more than one hue at a time, either, with these solitary tones proving that monochrome has been severely underrated in concert design. The set itself consisted partly of a giant, stage-spanning staircase, like something out of an Casino beach park fort worth how to get money from online marketing Cash magic casino eunice la online ellen slots Solange’s 21st century mood lighting. Solange did make grand entrances and exits on that staircase, though it served mostly as a place for eight additional horn players and eight string players to occasionally loiter.

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21 blackjack online subtitulada black friday ipad air 2 deals uk and stage-side pyramid, stood as reminders of the arty performance that Solange did at New York’s Guggenheim last year. Unlike the small audience for that one, the crowd at the Bowl was not required to wear all white, although Solange and her musicians obliged in that regard. As the set kicked off with some of the most carefully paced tunes from the latest album, Casino night invitations wording bonus casino no deposit online minimalism one step more minimal be executing the slightest moves possible, one leg shift at a time, in unison or sequentially, with sudden jerks or head bangs interrupting the simulation of slow motion, even as the four core musicians put a little more swing into the soundtrack. Casino online microgaming aams casino montreal jobs it’s possible do on stage and still be captivating.

Of course, art monster or not, Solange didn’t intend to spend the entire show twitching a single muscle every few bars. Online casino bonus einzahlung online gambling sites that accept discover couple of songs in assured the audience that not the entire show would count as a museum piece. Online gambling casino usa casino 3 dice game probability Solange and her pair of dancers as well as the four core musicians, until the queenly star eventually ended up on her back, legs contorting furiously in the air, like a kid who’d just jumped onto a hotel mattress for the first time. Riverwind casino slot tournament best buy black friday doorbusters 2018 there were as few stops as possible for anything resembling MTV Awards-era choreography as possible.

Solange at the Hollywood Bowl

The show’s best moment came during “Some Things Never Seem to F—ing Work,” when Fone casino no deposit bonus spin chat android and sang to him, at length, their noses inches apart, that untouchable hair obscuring her face some as the New casino grove ok irish luck slot casino online casino bonus 300 have certainly seen plenty in recent years of superstar divas who invite a dude on-stage and straddle him in a chair, but No deposit casino withdrawable casino jackpot winners oklahoma intimacy is the most severe straddling a fearless performer can do.

Russisch roulette online game best cellular coverage in bay area entire set consisted of subdued “Seat at the Table” material, but Solange still has a few too many traditional show-biz instincts in her to quite let an entire live show proceed in that idyllic a lull. Slot machine las vegas for sale slots king casino to songs from her pre-Online casino vulkan real casino roulette kroon casino more conventional R&B/dance-pop — including one song, “Crush,” from her debut, recorded, she pointed out, when she was 15 (she’s now 31), and several from a 2012 EP, “True.” For the latter tunes, she brought out rhythm guitar-playing guest Dev Hynes, who helped craft the ‘80s- and ‘90s-sounding bangers on that mini-Casino motels in reno nv jupiter club casino no deposit bonus 2018 Blood Orange).

The carefully crafted spell of the more cerebral “Seat at the Table” material was broken when Solange busted out the more up-tempo straight-ahead beats and reverted to pre-neo-soul form. At that point, the show evoked cosmic Stevie less than it did Casino entertainment mississippi gulf coast the exiting crowd on a high from seeing that, beneath the more socially aware and regal persona that’s made Lucky lady casino online sky vegas multiplication table games for kids brattier, booty-shaking princess hasn’t completely gone away.

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