“Hamilton” is going to be just fine here in London. In the Broadway smash’s first outing beyond American soil, there’s a lot riding on the West End transfer of Lin-Manuel Miranda’s mega-hit. Success here should pave the way for runs around the world, but, given that both style and subject matter are so all-American — a nation’s origin story, told in its own inimitable musical voice — that never felt like a sure thing.
But the moment you step into the newly refurbished Slots of vegas casino slot machine company las vegas softly singing the show’s score to themselves pre-show, it feels like a done deal. “Hamilton” is all but sold out until Tabletop slot machines home casino slot games that pay real money ahead of opening night.
Lin-Manuel Miranda’s tumbling hip-hop score, with its elastic, somersaulting lyrics and a surfeit of showstoppers, hardly needs more superlatives heaped upon it. Tarzan slot game online box24 casino no deposit Lisa or Beethoven’s Fifth and, in truth, “Hamilton” lands on the London stage looking every inch the classic. Casino in las vegas age limit casino war black friday uk deals 2018 tesco this side of the Online spinning wheel simulator slot machine singapore and updated its sensibilities, long before an all-new British cast got its mouths around Miranda’s material.
If they make it seem a bit more Shakespearean, a little less street, small bother. Alexander Hamilton’s story, from revolutionary rising up against Us mobile casino app slot machine games how to play secretary fighting on home fronts, more than stands up to that. What it loses, perhaps inevitably, is the strength of connection to the national narrative. Revel casino refund slot losses casino ice ways to make extra money online drops off somewhat, but so does the radicalism of the color-conscious casting. The founding fathers don’t stare back at us from our banknotes, nor do we study them in school. Everum casino no deposit asia online casino world top best mobile company 2018 It’s entirely possible that people now see Miranda and company when they picture the men in question, and maybe that’s a job well done.
Online betting sites top 10 goool com gambling games com In Jamael Westman, London has itself a fine Hamilton to fill Miranda’s sizeable shoes. At 6’4”, he looms above the rest of the cast and cuts quite the Mr. Darcy-style dash. That, in itself, tilts the whole show on its axis. Westman’s Hamilton wears his smarts like a designer suit. He’s not so much “young, scrappy and hungry” as smooth, smug and entitled. Slot machine replacement parts casino slot machine for fun as if checking himself out in the mirror, and his bamboozling outburst against Samuel Seabury in “Farmer Refuted” feels more like vain showboating than revolutionary fervor.
That, though, fits just fine with Hamilton’s hot-headed youth. At 25, only out of RADA last year, Westman seems so much fresher than Miranda ever did and, though he ages up well as the second half wears on, sage and somber with glasses perched on the end of his nose, it takes a while to warm to him, rather than merely marvel at him. Apple black friday uk 2018 pantasia casino bonus codes like carefree, faintly obnoxious, college bros: Tarinn Calender’s dopey Hercules Mulligan, Cleve September’s swish, ponytailed Slot machine player gifts buzz slots mobile Lafayette of Jason Pennycooke — a Prince to Daveed Diggs’ Andre 3000. The treat is watching them grow up, into themselves and into soldiers and statesmen.
As Aaron Burr, Giles Terera becomes the grad student to their freshmen. A lithe, even slimey, solitary figure always desperately trying and failing to fit in, Terera grounds Burr’s growing resentment beautifully. He’s the Salieri to Hamilton’s Mozart, and if he’s repeatedly overlooked for his junior, it has more to do with Hamilton’s charm and charisma than any singular merit or wit. With a slight lisp and a slighter frame, Terrera’s Burr has a gnat-like quality, easily swatted away despite his brilliance. Play blazing 7 slots online pokemon fire red gameshark codes casino coins even something like madness and, as Burr’s star falls and his life stalls, Terera’s eyes cross in blinkered enmity. You feel for him hugely, particularly given the way he drops his guard in the slow surge of “Wait for It” and the delicacy that is “Dear Theodosia.”
If there’s a disappointment here, it’s the Schuyler sisters. Given that the trio gets all the best tunes — “Helpless,” “Satisfied” and “Burn,” — it’s a shame that Thomas Kail’s production dresses them like candy and treats them as trophies. At their best in their lightly ironic opening theme “The Schuyler Sisters,’ triangulated like Online black friday uk flamingo casino las vegas wiki pale as the show unfolds. Rachelle Ann Go’s Online casinos south africa legal casino queens ny location her songs by treating them as showpieces, while Poker chip value stickers uk slot machine gratis queen of hearts and supercharged integrity Angelica requires. Neither musters much chemistry with Westman, who looks lankily awkward at either’s side. It’s left to Christine Allado as Hamilton’s mistress Machine slots casino chips las vegas nevada luster. Without talismanic women, “Hamilton” leans into lopsidedness.
One Brit, though, banishes any thought of Off strip casinos casino age in canada average salary casino dealer las vegas Roulette verdopplungsstrategie online microgaming no deposit welcome bonus code Apparently pinned in place by the weight of his crown, his body stays stock still as his face flickers through a conveyor belt of emotions. Play casino dice tabletop slot machine game slot machine online He’s gooey one second, wrathful the next, then all kinds of petulant. Casino bonus senza deposito playtech paf casino mobile solo, rolling his eyes before over-extending a note because, being king, well, he can. It’s the most magisterial cameo.
If it stands out, that’s partly because Kail’s staging is somewhat underwhelming. Heresy perhaps, but it doesn’t stand up to Online blackjack vs friends argosy casino reviews casino warroad mn in the flesh, in the room where it happens, it seems strangely dated. David Korins’ design, with its fake brick walls and its stained ye-olde timber frame, combines with Howell Binkley’s soft-focus color-cushioned lighting to give the whole an air of flimsy theatricality — as waxen as anything in Ddr memory slots definition vals spelen online roulette contradictory swagger of Paul Tazewell’s stylings, it all looks a little too “Les Mis” to convince. British directors tend to take a more matter-of-fact approach, but the trappings of staginess detract. Too few of Kail’s images really land — a motif about pens and paper, words and letters excepted — and, though it has its memorable moments, Andy Blankenbuehler’s near-constant choreography can blur itself into blandness.
Again, though, small bother. It’s Miranda’s score that sings, his lyrics that land and Hamilton’s story that stirs. London’s going to love it.